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      <image:caption>Rhiannon Walker is a Western Australian designer living and working in Fremantle. Rhi has enjoyed designing across all genres of theatre and live performance, as well as various roles on Screen projects. To compliment her work in design, Rhi also is a confident seamstress, prop creator and scenic painter.</image:caption>
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    <loc>https://www.rhiwalkerdesign.com/portfolio/potluck-for-penance</loc>
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    <loc>https://www.rhiwalkerdesign.com/portfolio/enron</loc>
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    <lastmod>2025-01-08</lastmod>
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      <image:title>Portfolio - Enron</image:title>
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    <loc>https://www.rhiwalkerdesign.com/portfolio/foley-vision-jrdkk</loc>
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    <lastmod>2025-12-28</lastmod>
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    <loc>https://www.rhiwalkerdesign.com/portfolio/foley-vision-jrdkk-247hl</loc>
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    <lastmod>2025-12-28</lastmod>
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  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/lemon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1581585444638-81RDB0XUGL6L35SKP2V1/Lemon+2019+%285%29.JPG</image:loc>
      <image:title>Portfolio - Lemon - Set design</image:title>
      <image:caption>The artistic vision for Lemon was to create a realistic, homey, fun and bright space with some little quirks for the audience to find. From a functioning menu chalk board, to edible food and drinks, we really wanted the audience to feel like they were in a living, breathing cafe. This design relied heavily on set dressing and a very strict colour pallet of black, white, yellow and small pops of green. The detail I put into this set created a strong sense of realism and enabled the performers to go about characters cafe “duties” very convincingly.</image:caption>
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      <image:title>Portfolio - Lemon</image:title>
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      <image:title>Portfolio - Lemon</image:title>
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  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/insynch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1584589261398-G3S0EZJ8QRYZIMNBDTGW/ZVtug1Vw.jpeg</image:loc>
      <image:title>Portfolio - In-Synch - “We present a first for WAB – an improvised dance work set to four bespoke modern orchestral soundtracks played at random...”</image:title>
      <image:caption>“…Aurélien Scannella and Sandy Delasalle, alongside Sydney Dance Company and former WAB dancer David Mack, will create a framework of movement for the dancers. Each night they will improvise in response to one of the four scores, chosen just minutes prior to the dancers taking the stage.” - program notes.</image:caption>
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      <image:title>Portfolio - In-Synch</image:title>
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      <image:title>Portfolio - In-Synch</image:title>
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    <image:image>
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      <image:title>Portfolio - In-Synch - Costume creation</image:title>
      <image:caption>My costume inspiration came from the idea of dancers moving together but without choreography, a bit like what you would find on the streets or in a club - responding to each other. I decided to use lines and shapes you would often find in sports wear as this trend is often seen on people dancing in this style. Holographic and foil fabric were used to add small lines of reflection and, in conjunction with the black mesh, layers of texture. The costumes had to be made so that the performers had the option of easily removing layers throughout the dance.</image:caption>
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  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/once-we-lived-here</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1584596590160-74MMVM9SW67SWYD79T9W/22519659_10155495052431075_9082115979487994261_n.jpg</image:loc>
      <image:title>Portfolio - Once We Lived Here - Creating an Australian landscape…</image:title>
      <image:caption>I started the process by looking at real shots of Australian farm lands and was drawn by the colours and shapes in the land. I added this concept into my set design through the painted floor and wall treatment. The family home set piece was created from pallet wood and the asymmetrical geometric shape was developed as a response to the need of fluid floor space for the performers to use. I mapped out not only the performers movements with the director but where locations in and around the house would have been had the house stood there in real life. This helped to create a functional and identifiable symbolic set.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1584596631803-BQH5G91ONDVZTO463U7I/22539710_10155495051846075_4708431438022602747_n.jpg</image:loc>
      <image:title>Portfolio - Once We Lived Here - Understanding the characters…</image:title>
      <image:caption>The costumes for this production, while simple every day clothing, really needed to speak for each characters’ very different personality and story line. The costumes also needed to be of realistic style to contrast the stylised set as the themes of the piece would need the audience to connect with each character.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/xit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1584604836922-GRX9TXK14FX0P2OBXLAT/cQ_IsqyD.jpeg</image:loc>
      <image:title>Portfolio - X-It - In front of the screen…</image:title>
      <image:caption>“Being constantly under surveillance... What kind of emotions and paranoia does this stir in a person? Watch as the dancers move between the stage and synchronised worlds borne from enigmatic visual effects, which will leave you wondering if they’re performing live or not. Johanna Nuutinen’s strong and physical choreography is built on the foundations of the study of emotions and shifting power balances within human relationships.” - Program notes</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1584604958987-QF9JCM6LPW0GEB9FLN81/lqqwZNkV.jpeg</image:loc>
      <image:title>Portfolio - X-It - Connection between screen, stage and surrounds…</image:title>
      <image:caption>This work integrated live performance with pre-recorded work connecting with the dancers on the screen and stage through very well timed movement. The work was a remount, however it was important to the choreographer to incorporate a local context. While creating my designs I employed my fabric colour choices to complement the limestone of both the film location, Fremantle Prison, and the performance venue, Quarry Amphitheatre. The work needed the design to amplify the removal individuality and persona. I added the grey hair and make-up aspect to the design to create a uniform look. This was also important as the dancers on the screen had to match the dancers onstage, so masking different hair colours with grey paint made any casting changes less obvious.</image:caption>
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      <image:title>Portfolio - X-It</image:title>
      <image:caption>Filming the screen content at Fremantle Prison</image:caption>
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      <image:title>Portfolio - X-It</image:title>
      <image:caption>Filming the screen content at Fremantle Prison</image:caption>
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  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/forget-me-not</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1584588512362-9B64SBG2129VTI98N3QJ/forgetmenotboys.jpg</image:loc>
      <image:title>Portfolio - Forget me not - Classical lines</image:title>
      <image:caption>My costume choices for this piece were heavily inspired by traditional character costumes. The dance captured the divide between upper and lower class in an old, European style village, whilst having no specific plot. The female dancers were placed into two groups, one group representing the upper class, the other representing lower class villagers. The male dancers were all upper class characters. The colours and fabric were very important for this piece as the costumes needed to have specific movement for each group of dancers. For the upper class costumes, the fabrics I chose all had to be dyed so the blues matched for the male and female costumes. The fabrics needed to enable the costumes to have a floating effect when the dancers moved. The girls in the lower class villager costumes needed longer skirts and the choreographer wanted the skirts to be very full so when the dancers moved into arabesque or grande jeté the skirts would spin out wide or flick up high, creating exaggerated movement with a heavier feel in contrast to the light floating feel of the upperclass costumes.</image:caption>
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      <image:title>Portfolio - Forget me not</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1588670087735-SSU9AOS49XL61GJBI32F/20141010-00001.jpg</image:loc>
      <image:title>Portfolio - Forget me not</image:title>
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  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/a-man-of-no-importance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1588587081468-8418G0KFBLSNM5U7C0ZK/IMG_9448.jpg</image:loc>
      <image:title>Portfolio - A Man of No Importance</image:title>
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      <image:title>Portfolio - A Man of No Importance</image:title>
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      <image:title>Portfolio - A Man of No Importance</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1588565530410-CHAYBR46RO3OE4CE84CG/IMG_0630.jpg</image:loc>
      <image:title>Portfolio - A Man of No Importance - Characters</image:title>
      <image:caption>This production required realistic 1960s costumes in a mostly subdued colour palette to depict the era and themes of the story. The characters have wildly different personalities which the costumes needed to portray, along with little detailed elements to show what role they played in the theatre group. The budget restrictions presented challenges in acquiring new or designing/sewing custom pieces. This resulted in the requirement for garment sourcing, only minor alterations and single item makes.</image:caption>
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      <image:title>Portfolio - A Man of No Importance - Space</image:title>
      <image:caption>The space had to transform into many locations, all movements would be by the performers with all the set elements remaining onstage throughout the show. As the play revolves around a community theatre group, our concept was for a cluttered and put together aesthetic. This design relied heavily on detailed set dressing and for props and costume items being pre-set on stage for the performers to interact with.</image:caption>
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  </url>
  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/cloud-9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1584599657821-WAO36YP6WUX306LRG4CE/Cloud_Nine_July_2018-68.jpg</image:loc>
      <image:title>Portfolio - Cloud 9 - Costumes for changing eras…</image:title>
      <image:caption>Cloud 9 requires the costumes to jump from Colonial Africa in the Victorian era to America in the 1970s. Besides the obvious change in silhouettes of the clothing, I also used a contrasting colour pallet to show the change - keeping the colours of the Victorian era costumes almost monochromatic whilst bringing in brighter colours and a higher level of contrast in the costumes of the 1970s. With such a stylised set design, I chose to keep the costumes in the realm of realism.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1584599745424-D74YE7LWMDFMHMF39U6O/Cloud_Nine_July_2018-01.jpg</image:loc>
      <image:title>Portfolio - Cloud 9 - Setting locations</image:title>
      <image:caption>Both the set design and audience seating lay out posed a challenge for me for this work. The set needed to symbolise multiple locations and flow between the Victorian era Act 1 and 1970s of Act 2. The audience was placed on two joining edges of the square playing space. I decided to outline the playing space using a thick, solid white line up to the edge of my set piece. The performers made all their entrances and exits through the gap created by the set piece. This piece was used to represent both the house in Act 1 and the park pavilion in Act 2 with removable window frames and a park bench that came on at the start of Act 2. With the constant change of locations, this set piece stood as a simplistic reminder of the importance of home and family in Act 1 and the gathering of individuals in Act 2.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/vortex</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1588562432855-WZD8G1LDAK1OFSTCKK71/13102701_1121613377883172_4801822346715222879_n.jpg</image:loc>
      <image:title>Portfolio - Vortex - Light and connection</image:title>
      <image:caption>The costume brief was to look at the function of dance wear with a “work-wear” silhouette. This work was an exploration of humans going about their work, and also about ballet works in general. The idea of using light bars to represent humans making connection with each other also influenced the costumes, as I chose to keep the costumes all white so the lights would reflect colour onto the dancers and it would grow in intensity as more dancers came together. The shape of the costumes hinted at traditional office wear - the shape of a jacket lapel, the structured quality of suit pants. This work presented the dancers as they are “really people, really dancing.” They are not sylphs, poets, Swan Queens or Princes</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1588562547461-N0ZRC2RY71MSKZKSN0DD/13178870_1121613434549833_4721736865381840715_n.jpg</image:loc>
      <image:title>Portfolio - Vortex - “The art of instinct”</image:title>
      <image:caption>James and Balázs were drawn to the ideas of creating performance art through instinct and the idea of being energetically present was very important to them. The piece was created in the studio with the dancers and therefore the design process was fluid and experimental. The colours of the costumes were inspired by Flourite - a semi precious stone with iridescent qualities, an element that was important to the choreographers. They wanted explore the idea of beauty of individuality within a group, within a city, on a stage.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1588562594876-XEC44BZYXZ45AINJSKL9/13103529_1109052475807519_660388921803438450_n.jpg</image:loc>
      <image:title>Portfolio - Vortex - Layers of energy.</image:title>
      <image:caption>I designed hooded jackets made from transparent PVC vinyl which were used to represent the dancers “energetic aura”, creating a sort of energetic shell that the dancers passed around to each other. The fabric choice for the jackets was very important to the choreographers and the PVC was eventually chosen after many tests as it held a structured shape and was transparent and able to be “looked through” by the dancers. However, during the construction of the garment, the costumiers discovered that the sewing needle holes made it very fragile, so each seem had to be reinforced in a way that didn’t disrupt the translucent look.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/hansel-and-gretel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1588585074003-0R3U8GRV399KOJJC2TYX/IMG_2793.jpg</image:loc>
      <image:title>Portfolio - Hansel and Gretel - Stages of Gluttony…</image:title>
      <image:caption>The concept for this production was a modern representation of gluttony. The design idea came from a junkyard or tip being the ultimate image of waste, excess and want over need. We decided to have only set pieces move on the spot with nothing going on and off stage so the space could be filled with junk and the characters could journey through the space with different sections having specific requirements.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/1588585199056-X5ZNX5TWLBAIGSBKZPUW/IMG_2893.jpg</image:loc>
      <image:title>Portfolio - Hansel and Gretel - Set design</image:title>
      <image:caption>This set consisted of many detailed elements and moving parts including 8 large light boxes, five spinning “carwash” poles, a catwalk platform made up of a mishmash of shapes, steps and slopes, a trap door in the platform and a BBQ that could have a person pushed into, fridges with TVs and LED light strips inside to light up coloured bottles, multiple working lamps on stage and an animatronic bird. This put to test all of my design, set dressing, technical and communication skills. It was a very hands on process as I was involved with individually picking junk items off verge collections, from junkyards and from the tip. I also positioned these items on stage myself and ensure all was secured so it was safe for the performers.</image:caption>
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      <image:title>Portfolio - Hansel and Gretel</image:title>
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  </url>
  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/adriana-lecouvreur</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/bb5a684e-81a4-491e-b562-71e8ae797883/DSC04479.jpg</image:loc>
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  </url>
  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/project-two-ky966-y6n3z</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/985f3465-c14c-4b42-b44a-028a4e819fe5/441954706_1043913993849324_2768227270118442668_n.jpg</image:loc>
      <image:title>Portfolio - Footloose</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/628883a7-9c0e-485c-9001-45885f88795e/20250108_083146000_iOS.jpg</image:loc>
      <image:title>Portfolio - Footloose</image:title>
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      <image:title>Portfolio - Footloose</image:title>
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      <image:title>Portfolio - Footloose</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e327fd36574e34694babe65/a6748581-e86f-445f-8de0-910ef733fe2e/20250108_073605078_iOS.jpg</image:loc>
      <image:title>Portfolio - Footloose</image:title>
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      <image:title>Portfolio - Footloose</image:title>
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      <image:title>Portfolio - Footloose</image:title>
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      <image:title>Portfolio - Footloose</image:title>
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      <image:title>Portfolio - Footloose</image:title>
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  <url>
    <loc>https://www.rhiwalkerdesign.com/portfolio/project-two-ky966-y6n3z-rbz5h</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-27</lastmod>
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      <image:title>Portfolio - Harry Potter and the Cursed Child</image:title>
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      <image:title>Portfolio - Harry Potter and the Cursed Child</image:title>
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      <image:title>Portfolio - Harry Potter and the Cursed Child</image:title>
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      <image:title>Portfolio - Harry Potter and the Cursed Child</image:title>
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      <image:title>Portfolio - Harry Potter and the Cursed Child</image:title>
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      <image:title>Portfolio - Harry Potter and the Cursed Child</image:title>
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